"You must make this mistake once—
pour boiling liquid into a blender, then pulse it.
Watch the steam blow the lid straight off.
When you see your burned hands, you’ll scream.
Other mistakes you repeat, finding yourself
in a familiar place, but worn out, like pigeons
circling a roof, the flock growing bigger,
then smaller. It will be this way with love.
Your neighbor plays something on the accordion,
starting and stopping before seeing it through,
but it’s not what you expected. It’s not even
about getting it right. You think it’s about
protecting yourself, and eventually you will—
not by learning how to love, but how to do so less often."

Kellam Ayres, Practice (via grammatolatry)

(via notmybeautifulhome)

"

When you see a seventy-pound octopus squeeze
through a hole the size of a half-dollar coin, you

finally understand that everything you learn about
the sea will only make people you love say You lie.

There are land truths that scare me: a purple orchid
that only blooms underground. A German poet

buried in the heart of an oak tree. The lighthouse man
who used to walk around the streets at night

with a lighted candle stuck into his skull. But winters
in Florida—all the street corners have sad fruit

tucked into the curb, fallen from orangery truckers
who take corners too fast. The air is sick with citrus

and yet you love the small spots of orange in walls
of leafy green as we drive. Your love is a concrete canoe

that floats in the lake like a lead balloon, improbable
as a steel wool cloud, a metal feather. This is the truth:

I once believed nothing on earth could make me say magic.
You believe in the orange blossom tucked behind my ear.

"

“Love in the Orangery,” Aimee Nezhukumatathil (via clavicola)

picturesofwar:

A former German POW greeting his daughter following his release from Soviet captivity; he had not seen her since infancy.  West Germany, 1956.
Photo by Helmuth Pirath. 

picturesofwar:

A former German POW greeting his daughter following his release from Soviet captivity; he had not seen her since infancy.  West Germany, 1956.

Photo by Helmuth Pirath. 

(via alittlebitofeverythingglorious)

"More than putting another man on the moon,
more than a New Year’s resolution of yogurt and yoga,
we need the opportunity to dance
with really exquisite strangers. A slow dance
between the couch and dinning room table, at the end
of the party, while the person we love has gone
to bring the car around
because it’s begun to rain and would break their heart
if any part of us got wet. A slow dance
to bring the evening home, to knock it out of the park. Two people
rocking back and forth like a buoy. Nothing extravagant.
A little music. An empty bottle of whiskey.
It’s a little like cheating. Your head resting
on his shoulder, your breath moving up his neck.
Your hands along her spine. Her hips
unfolding like a cotton napkin
and you begin to think about how all the stars in the sky
are dead. The my body
is talking to your body slow dance. The Unchained Melody,
Stairway to Heaven, power-cord slow dance. All my life
I’ve made mistakes. Small
and cruel. I made my plans.
I never arrived. I ate my food. I drank my wine.
The slow dance doesn’t care. It’s all kindness like children
before they turn four. Like being held in the arms
of my brother. The slow dance of siblings.
Two men in the middle of the room. When I dance with him,
one of my great loves, he is absolutely human,
and when he turns to dip me
or I step on his foot because we are both leading,
I know that one of us will die first and the other will suffer.
The slow dance of what’s to come
and the slow dance of insomnia
pouring across the floor like bath water.
When the woman I’m sleeping with
stands naked in the bathroom,
brushing her teeth, the slow dance of ritual is being spit
into the sink. There is no one to save us
because there is no need to be saved.
I’ve hurt you. I’ve loved you. I’ve mowed
the front yard. When the stranger wearing a shear white dress
covered in a million beads
comes toward me like an over-sexed chandelier suddenly come to life,
I take her hand in mine. I spin her out
and bring her in. This is the almond grove
in the dark slow dance.
It is what we should be doing right now. Scrapping
for joy. The haiku and honey. The orange and orangutang slow dance."

Slow Dance,” Matthew Dickman (via clavicola)

(via clavicola)

Jeux d’Enfants

Jeux d’Enfants

(Source: wanderring, via losdramas)

firsttimeuser:

Henri Cartier-Bresson
Serbia. Bass player on the road Belgrade-Kraljevo, to play at a village festival near Rudnick. Yugoslavia 1965
Art Blart

firsttimeuser:

Henri Cartier-Bresson

Serbia. Bass player on the road Belgrade-Kraljevo, to play at a village festival near Rudnick. Yugoslavia 1965

Art Blart

(via seafoamchild)

salveo:

“Man on Wire” Philippe Petit crossing on a tight rope between the Twin Towers, NYC 1974.

salveo:

“Man on Wire” Philippe Petit crossing on a tight rope between the Twin Towers, NYC 1974.

(via splitpeavintageblog)

elizabitchtaylor:

Elvis (21) and a fan, photographed by Alfred Wertheimer in 1956

elizabitchtaylor:

Elvis (21) and a fan, photographed by Alfred Wertheimer in 1956

(via iwantmybearsuit)

hotparade:

JH Engström

hotparade:

JH Engström